I have written before of Zen’s need to squarely face institutional inadequacies, but have I said enough about why I love Zen? I don’t love Zen for the robes and the folderol; I love it for where the rubber meets the road. Where one hand reaches out for another, and where one stands quietly witnessing a dear friend bravely bearing his suffering. My love came home to me when I went to view Myogen’s body on January 1st at his home in the North Bay. I traveled 5 hours to see Myogen just after completing a five day retreat over New Year and stopping to celebrate the Mountain Seat Ceremony for Ed Brown. I was elated that so many Zen friends came in joyous support of Ed and his Peaceful Sea sangha. From one Dharma brother’s event to another, I drove on to experience Myogen’s recently deceased body. At Ed’s event, Wendy Johnson gave me soup and a note to transport to Lane, Myogen’s wife. Through the window, by candlelight, Myogen was laid out on a bed of flowers. The light was soft and welcoming, mirroring his spirit. I am not sure if I would have recognized him, his large frame had shrunk, his face was small, and his smile different– more subtle and less beaming.
While I walked around to study all that was there with Myogen’s body, I reviewed my practice life with Myogen. The way we had sat sesshin together at Berkeley Zen Center more than twenty years ago, his presence at my own priest ordination, his support for his students and my students, his support for me, his appreciation of my support for his students, our teaching side by side, and finally his devastating email revealing his diagnosis. His illness had shocked all of us (he was the healthy one), and it urgently pushed him towards his own practice. When visiting I found notes to remind him posted on his easy chair: I am of the nature of sickness, I am of the nature of old age, I am of the nature of death. Zen was alive and well in Myogen’s home. This is why I love Zen.
I didn’t know what to say in response to his email foretelling his imminent death. Like many others, I offered support and a request to visit. I am sure there were many such requests as we faced his dwindling days. And when I reiterated my request to his assistant, I was told there was a long list. Facing my disappointment squarely, I said good-bye and sent a gift. Thus I was taught in Zen, by my Japanese Zen teacher Fukushima Roshi: Generosity meant giving people actual gifts—giving more than just kindness and Dharma words. Fukushima Roshi explained that his own teacher, Shibayama Zenkei had taught him the importance of what could be passed hand to hand. Fukushima Roshi had given me his calligraphy, cookies, books, pottery, rakusu—but he gave all in passing. It was understated, all given as we said good-bye. So tenderly and indirectly given.
Remembering how affected I had been by this precious Zen teaching of giving; I considered a gift for Myogen. I ruled out just a card, chocolates or a book. It needed to be a direct taste of our mutual practice. Aah, Kyoto green tea! Gyokuro, an extravagant and naughtily delicious refreshment that we had enjoyed together on our teaching breaks during SPOT. Even the tea contained the tears of loss, and endurance. Sadly, our favorite tea company had lost its field after 130 years of growing Uji tea and selling it in Kyoto. After great effort, I found a tea contact I had met while practicing in Japan. Ten years ago, I had been to Daishoji, a Rinzai Imperial convent in Kyoto, and had met a woman there from a well-established Uji tea company.
With our new samples recently shipped from Japan in hand, Myogen, Lew Richmond, Angie Boissevain and I tasted the even more delicious, even naughtier and even more expensive teas I had requested from our new vendor. There was Muratake (Bamboo Forest), Momoe (One Hundred Blossoms), and there was Otowa (The Sound of Wings). Myogen alone and definitively chose “The Sound of Wings.” Was it premonitory, did he hear and taste the “Sound of his own Wings?” Remembering his choice fluttered my heart. I labeled a bag of the “Sound of Wings,” and bowed with my silent good-by as it flew away from the Central Valley to the North Bay.
![Christine transmission Dec 4]()
Back Row: Renshin Bunce, Myoan Grace Schireson.
Bottom Row: Christine Palmer, Myogen Steve Stücky
A week later my phone rang. It was Myogen. Ironically, he asked me if I had time to talk. Slightly breathless, I gathered my presence and affirmed that I had time to talk. He thanked me for the tea, and asked if I could help him with Christine Palmer’s Dharma Transmission. He struggled to find the words for what I might become to her. “She will be independent, a Dharma heir like you,” he said, “but still she will need… His words trailed off. Was it that he couldn’t bear losing Christine, not being her teacher? I supplied the word “consultant” to Myogen, but later, when Myogen brought up my ceremonial role as preceptor, Christine happily chirped: “Yes, Grace is my Auntie.” Another reason I love Zen, I get to be Christine’s Auntie.
Myogen and I spoke privately when I came for Christine’s ceremony, and he expressed his one remaining sadness—leaving his small grandchildren. I told him what my own grand-daughter had said to me several years before when she was just four-years-old. Standing in my kitchen while Olivia was drawing, and I was cooking she spoke up. “Grandma,” she said confidently, “you are going to die.” “Everyone dies,” she added with a proud and knowing certainty. I was quite interested in where this conversation was going. Lucky for Olivia, her grandma was a Zen person and had contemplated impermanence. Otherwise, her grandma might have been flustered into a heart attack, or at the very least, bothered into a sharp reprimand for Olivia’s impertinence.
“You are right, Olivia,” I responded. “What will we do about this?” She answered me with the same cool confidence with which she had pronounced the certainty of my death: “Even after you die grandma, we will still be together,” Olivia reassured me. Curious about her scheme and understanding about our relationship after my demise, I asked Olivia: “Do you think we will talk to each other after I die?” She pondered my question briefly before she replied comfortingly: “No grandma, but we will think of each other.” And that was that. Hearing Olivia’s pronouncements, Myogen smiled his big enveloping smile and said: “Out of the mouths of babes.” When leaving Myogen after Christine’s Dharma Transmission ceremony, I knew this would be our last meeting. I touched his sleeve and said “Don’t forget what Olivia said, we’ll be in touch.”
After this bounty of tender gifts– Myogen’s wisdom, our relationship, sharing tea, supporting each other, teaching together, and the beautiful ceremony for Christine—I thought that would be all there was between Myogen and me. And it was enough for me, and affirmed why I love Zen. I am not sure why I traveled those 5 hours to sit with Myogen’s deceased body. But I have learned in Zen that actually doing something is always different than whatever you could think about doing something. Another reason that I love Zen; it guides my life. So I went in to be with Myogen, remembering what Olivia had taught me. But wait there’s more! To my surprise, on a separate table near the body was a small white sheet of paper labeled “Death Poem,” that looked just like this:
DEATH POEM
This human body truly is the entire cosmos
Each breath of mine, is equally one of yours, my darling
This tender abiding in “my” life
Is the fierce glowing fire of inner earth
Linking with all pre-phenomena
Flashing to the distant horizon
From “right here now” to “just this”
Now the horizon itself
Drops away—
Bodhi!
Svaha.
Myogen
12/27/13
Wow! Please, just take this in in; the poem was written only four days before his death. Myogen loved life, and he loved Zen. He went all the way to the edge to show us his view.
![myogen stucky grace schireson]()
Photo by Renshin Bunce
Why I love Zen—let me count the ways. Because we are present for each other, because we look for, find and make meaning of our time together, because we have developed the presence to receive the message from our grand-daughter about our own certain death, because we tell each other when we are afraid, because we listen to each other’s fears, because we drink tea and hear “The Sound of (our own) Wings,” because we help each other celebrate ceremonies, ordinations, precepts, sesshin, Dharma Transmissions, Mountain Seats and funerals. Because we go to hospitals, prisons, schools and homeless shelters together. Because we grow food, cook food, and bring food to each other. Because we sew robes for each other, even if we only wear them for our own cremation. Because we give each other our own death as a gift, as a poem, just as we have given our own life.
Myogen was authentically himself at the same time he was a Zen person all the way to the end. How well he studied the words, the deeds, the lives, the deaths of the Zen Masters. How well he knew to leave his close and personal view of death after he was gone. How well he loved Zen, and we shared that love– loving lives that embody Zen, loving a formal and personal departure, and loving the traditional writing of death poems.
Oh, and one more reason I love Zen, from Zen monk Senryu who died June 2, 1987:
Empty-handed I entered
the world
Barefoot I leave it.
My coming, my going –
Two simple happenings
That got entangled.
I love being entangled in Zen.
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